- "The shift from bigger and interconnected extended families to smaller and detached nuclear families ultimately led to a familial system that liberates the rich and ravages the working-class and the poor." David Brooks Tweet This
- This week, the Institute for Family Studies is hosting a symposium in response to David Brooks’ new Atlantic essay on the nuclear family. Tweet This
Editor’s Note: This week, the Institute for Family Studies is hosting a symposium in response to David Brooks’ essay on the nuclear family, which was published online today in The Atlantic. Respondents include Richard Reeves, Andrew Cherlin, Kay Hymowitz, Scott Stanley, Rod Dreher, and Andrew T. Walker, along with IFS research director Wendy Wang and W. Bradford Wilcox. To kick off the symposium, an excerpt from the essay is included below.
The Nuclear Family Was a Mistake
David Brooks, The Atlantic
The scene is one many of us have somewhere in our family history: Dozens of people celebrating Thanksgiving or some other holiday around a makeshift stretch of family tables—siblings, cousins, aunts, uncles, great-aunts. The grandparents are telling the old family stories for the 37th time. “It was the most beautiful place you’ve ever seen in your life,” says one, remembering his first day in America. “There were lights everywhere … It was a celebration of light! I thought they were for me.”
The oldsters start squabbling about whose memory is better. “It was cold that day,” one says about some faraway memory. “What are you talking about? It was May, late May,” says another. The young children sit wide-eyed, absorbing family lore and trying to piece together the plotline of the generations.
After the meal, there are piles of plates in the sink, squads of children conspiring mischievously in the basement. Groups of young parents huddle in a hallway, making plans. The old men nap on couches, waiting for dessert. It’s the extended family in all its tangled, loving, exhausting glory. This particular family is the one depicted in Barry Levinson’s 1990 film, Avalon, based on his own childhood in Baltimore. Five brothers came to America from Eastern Europe around the time of World War I and built a wallpaper business. For a while, they did everything together, like in the old country. But as the movie goes along, the extended family begins to split apart. Some members move to the suburbs for more privacy and space. One leaves for a job in a different state. The big blowup comes over something that seems trivial but isn’t: The eldest of the brothers arrives late to a Thanksgiving dinner to find that the family has begun the meal without him.
“You cut the turkey without me?” he cries. “Your own flesh and blood! … You cut the turkey?” The pace of life is speeding up. Convenience, privacy, and mobility are more important than family loyalty. “The idea that they would eat before the brother arrived was a sign of disrespect,” Levinson told me recently when I asked him about that scene. “That was the real crack in the family. When you violate the protocol, the whole family structure begins to collapse.”
Continue reading at The Atlantic . . . .